The Dance of Life a Poem by the Author of Dr. Syntax - Combe, William. Bound by Sangorski and Sutcliffe
Published by Ackermann, London, 1817
Brought to life by the iconic hand-coloured illustrations of Thomas Rowlandson. This 1817 edition, published by the esteemed R. Ackermann, is a true collector's gem for both collectors of books and art alike, showcasing the artistic and literary spirit of its era. Beyond its historical significance, this volume is a testament to phenomenal craftsmanship of the premier binders, Sangorski and Sutcliffe - masters of fine bookbinding.
'The Dance of Life' boasts a remarkable collection of twenty-six hand-coloured aquatint plates, including a striking frontispiece and an intricately illustrated title page, all by the inimitable Thomas Rowlandson. The text itself comprises a letterpress title, preliminary pages, 285 pages of captivating verse, and additional informational pages. The book is presented in a luxurious full red morocco binding, meticulously crafted by Sangorski and Sutcliffe, whose distinctive stamp graces the front turn-in. The gilt page edges and marbled endpapers add to its opulent feel, while the spine is adorned with elaborate gilt tooling and lettering. Measuring approximately 9 ½ inches tall, this volume is a visually stunning piece.
Sangorski & Sutcliffe, established in London in 1901, rose to prominence for their exceptional bookbinding artistry, particularly their opulent jeweled bindings. Renowned for their meticulous craftsmanship, they catered to prestigious clients and produced exquisite works, most notably the ill-fated "Great Omar" of the Rubaiyat of Omar Khayyam.
Thomas Rowlandson (1756–1827) was a celebrated English caricaturist and artist, famed for his vibrant and satirical depictions of 18th and early 19th-century life. His energetic lines, vivid hand-colored aquatints, and humorous observations of society captured the essence of the Regency era. A master of caricature, his work provides invaluable historical insights into the customs and characters of his time, leaving a lasting influence on the development of satirical art in England.
